His eyes ran over the blonde girl whom was vigorously fighting a figure with a contorted face and fangs sticking out. She had a very nice figure he thought, as she was suddenly pinned down against the tombstone, oh well, he thought, it was nice knowing her. But just as he had turned around, he heard a male scream, and then silence engulfed the cemetery. Glancing back he saw a group had turned up, there was a red headed girl, a young man and an elder one wearing spectacles. A small grin rose up to his lips as he felt a slight tremor run through him, this would be fun.
Thursday, November 3, 2011
Farish Fan Fiction
His eyes ran over the blonde girl whom was vigorously fighting a figure with a contorted face and fangs sticking out. She had a very nice figure he thought, as she was suddenly pinned down against the tombstone, oh well, he thought, it was nice knowing her. But just as he had turned around, he heard a male scream, and then silence engulfed the cemetery. Glancing back he saw a group had turned up, there was a red headed girl, a young man and an elder one wearing spectacles. A small grin rose up to his lips as he felt a slight tremor run through him, this would be fun.
LoveKim_Brief 2_Fanfiction
/‘That’s the ONLY source that could restore your father’s ailing health, that’s the ONLY one…” / echoed Ged’s ears as the voice disappeared in the air.
Monday, October 31, 2011
Sara Fan-fiction
“Princess…your client is here.”
I rushed around, pushing silks and lingerie into various draws, and throwing the fresh batch of flowers that sat in the vase out the window. I put some redder tint on my lips, staring into the polished silver surface above my dresser. I pouted a bit and raised my eyebrows, then quickly went and perched on the edge of my straight-backed chair in the corner of my room, and arranged my kimono delicately around me. I surveyed my area of expertise; it had the look of a nobleman’s bedroom. I had seen plenty of those, before my job here. I heard the tap of slippers coming up the wooden staircase, and let a coy smile play at the corners of my mouth. A familiar face strode in, with that ever-so-familiar smug smile. My smile faltered. I got up and strode over to my dresser; applied more white powder to my complexion, moving it in small circles, not looking at the gentleman in my room.
“What do you want?” I said quietly.
Hisaya, with his coal-black hair that stuck up straight from his head, allowed himself to grin broader. He was enjoying this, I could tell. Enough to ignore my rudeness.
“Lady Eboshi wishes to entertain your presence.”
A small hiss escaped from my mouth
“You mention her name, here? You know what happened to Yuko!” I looked around, almost expecting to see the strongman of this establishment, Kaoru, eavesdropping in the hallway.
“I do, ah, Prin-cess… however; Lady Eboshi still wishes to speak to you.” He shrugged, as if Yuko’s disappearance was not a concern.
“I’ll think about it, ok?” Not intending to let the entertainment of that thought ever pass my lips again. “Now go away, before someone sees you.”
Hisaya made a small bow. “Some habits never change, do they, Gio?” he said, with narrowed eyes. I opened my mouth to retort, but he swept around in the room and left, leaving a pile of tattered Yen on my bed in his wake.
My pride wished me to throw Hisaya’s treacherous Yen in the fireplace to shrivel and never exist as currency again, but my head soon talked sense. In my mid-twenties, it was no lie that I was tight as it is, and one of the least popular girls in this place. Times were getting desperate, and I would even accept money from Hisaya. I sighed. I would have to go give Yoritomo his cut of this, and fast, or he would get suspicious. Clients that left quickly didn’t sit too well with Yoritomo. “Don’t disrespect my girls!!! Or did you respect her a bit too much, if you know what I mean?!!” he would leer at scarpering men. But they would come back. They always did.
As I went descended downstairs to pay my dues to Yoritomo, I swore under my breath. Hotoke, the new girl, was in the downstairs showing room. Was I to mentor her today? It was bad enough that I was training someone to compete with for my income, and possibly even my place in this establishment. If not, that she was painfully young and naïve, and every time I taught her I felt like I was snapping feathers off her white wings. I had had enough guilt in my life. Sure enough, Yoritomo took my money without note, handed me some back, then said “Please continue your training of Hotoke today, Gio. And get into the good stuff. I will know.”
“Princess…princess…how did you get that name?” Hotoke asked me.
“It was the only one left, it’s just a name!” I said, losing my patience. We were in her room. “So, about your clothes…”
Hotoke interrupted me again “Don’t you ever think, you know, about leaving here? Going somewhere else?”
Immediately suspicious, I frowned “This is my home. Unlike you, I can’t just pack up and…and leave anytime! I have to stay here! How did you get in this hellhole anyway??” I finished, furious.
Tears welled up in her eyes. “This is my home, too” she said meekly.
This infuriated me further “Wh-what? What do you mean?!”
“My parents are dead” she said, bluntly.
I immediately softened, embarrassed. “Oh”
“Yoritomo came to me. He said, I can offer you opportunity. Just, helping a few guys a day, I could make some money to support myself, maybe even my grandparents. He said, you’ll be well looked after and physically protected, great food and clothes…and the rent’s really cheap, too.”
“Rent?” I asked, dumbfounded for a second.
“Yeah, he said he do deal for me, extra-special deal, better than the other girls, because I’m new” She looked at me, as if frightened what I’d think of her. “And, y-y’know, I, um, only have to sleep with him s-s-sometimes, since his wife died, he’s been very lonely. And he says he has to take that out of my pay, because I could be getting more work when doing that, and I agree with him.”
My stomach felt hollow. Yoritomo had no wife. He’d never been married. I knew of sometimes when Yoritomo had been known to “sample the merchandise”, as he would call it, but never on a continual basis, not like this. After all my work, everything I’d done over the years, this renewed evil still shocked me.
“Listen, Hotoke” I said, looking left and right, and checking we were alone. “There’s this opportunity…have you heard of Lady Eboshi?”
Hotoke sniffed, trying to wipe the tears from her face “Lady Eboshi? Isn’t she a myth?”
“No, no, she’s real all right. I heard she sets girls like us to work, over at Iron Town. I don’t know what work it is, but…”
“You’re-you’re thinking of leaving?”
“Well yes, I guess I am…” I smiled, entertained at the thought.
“But Yoritomo…won’t he miss us?”
“Hotoke…he won’t miss us. Girls like us are easily replaced” I said, my voice full of sad cynicism of many years of work. “But if we want to go, we have to go, now.”
“Ok!” she said, almost entirely changed in demeanour “Let’s go! All I need is my fur, my silks, my favourite kimonos…”
“No Hotoke. I mean NOW. Yoritomo thinks we are together, we can go now.” I crept out into the hallway “Lady Eboshi better have clothes for us” I muttered. “Let’s go.”
We crept down to the bottom floor of the establishment. We could hear Yoritomo uproariously laughing in his office, entertaining one of his friends. I wondered if it was nobility. We walked out the front of the building. Some passing young boys turned right around as they walked, staring at us. “What are you two girls doing?” My heart stopped. Kaoru approached us, arms full of expensive silk in which were likely our next outfits. My mouth opened, moving wordlessly.
“We’re going for a walk!” Hotoke said, brightly.
Kaoru looked from Hotoke, to me. “We-ell, be back before dinner. You know what Yoritomo is like.” He smiled.
“Yes, yes of course!” I said, laughing weakly.
Kaoru nodded to us, and then walked inside the building. As soon as he went inside, we started walking, fast. I could see the smoke from Iron Town in the distance.
Wednesday, October 19, 2011
Nazia Week 12
Hill (2005) states that the popularity of reality TV can be attributed to the fact that they are a “quick fix solution to economic problems” and the “deregulation and marketisation of media industries”. It was a quick way for networks to make money and the regulations of what could be shown on TV was changed. In regards to the popularity among viewers, I think can be attributed to the relatability of the people on these shows. The average Joe can dream of one day being a part of the show and usually the non-professional actors on these shows display ‘everyday’ qualities. Meaning, usually when we watch game shows such as Survivor or The Biggest Loser, we are often told about the contestants life outside the game, for example their occupation and a little about their family. I think all these things add to the ‘relatability factor’ of the shows.
References:
Hill, A. (2005) The rise of reality TV. In A. Hill, Reality TV: Audiences and Popular Factual Television. (pp. 15 – 40). Oxon: Routledge.
WEEK 12 (Winny)
References
Hill, A. (2005). The rise of reality TV. In A. Hill, Reality TV: Audiences and Popular Factual Television. (pp. 15-40). Oxon: Routledge.
Tuesday, October 18, 2011
Week 11 Sara
Hill's (2005) writing on reality tv acknowledges the width and breadth of this modern, expanding genre. This genre of tv has only recently been classified under the umbrella of 'reality tv' and has been known under a whole variety of different names, including popular factual, docu-dramas, reality entertainment, infotainment and edutainment. This shows the whole range and variety of shows which can appear under the reality banner, and encompassing entirely different styles; everything from game show-type reality shows, like Survivor and Masterchef, to the reality-based shows filmed in real hospitals and vets. Hills (2005) acknowledges that "the process of categorizing reality tv highlights the inherent problems for the television industry, scholars and audiences in defining a genre that by its very nature is concerned with multiple generic participation, and constant regeneration."
References
Hill, A. (2005) The reality genre. In A. Hill, Reality TV: Audiences and Popular Factual Television.(pp. 14 – 40). Oxon: Routledge.
Week 11 Reality TV I
Top of Form
Bottom of Form
How has the documentary genre influenced reality TV and how it presents the ‘real’?
So much of our television today is dominated by Reality TV. It is a genre that tries to portray what is ‘real’ to the viewer by following a subject through whatever they are doing whether it be a task or day to day life; and often stopping an switching to interviews with the subject to narrate what is going on. In my opinion it isn’t the most ‘real’ thing to see and I think that we are very manipulated by what we are told is ‘real’ today.
John Grierson who coined the term ‘documentary’ described the document process as ‘creative treatment of actuality’ (p. 36). In the 1930’s he was one of the first to depict everyday people on television. No longer were ordinary people unseen on the television anymore. Documentary has influenced reality TV in the way that people want to see ordinary people on television! It is interesting to see people like ourselves who live everyday lives on the television and follow their lives to get a little break from our own. "What these different documentary styles share is a political concern, differently informed by socio-cultural context, to depict the lives of 'ordinary' people."
Documentary has had a huge influence on some of the very contemporary shows today like ‘Keeping Up With the Kardashians’. It is a show following the lives of an American family showing their day to day lives as a weekly show. When a family member has a problem, it flicks to an interview of them to narrate how the problem was solved. A very noticeable change refering to this is how reality TV seems to be getting more extreme and more fake. More and more reality shows are coming out only depicting very wealthy people, shying away from Grierson’s idea of depicting everyday ordinary people.
Biressi, A. & Nunn, N. (2005). Real Lives, documentary approaches. In Reality TV: realism and revelation. (pp. 35-58) London: Wallflower.
Week 10 Sara
It is becoming increasingly common for modern television shows, especially those marketed as 'edgy' to the demographic of 20 to 35 year olds, to have an 'unambiguous morality' bent as a theme. Personally, I'm not a huge fan of this literary device; especially when shows 'jump on the bandwagon' to create controversy, and when a sudden change in motivation in characters appears to contradict all their past plot arc, but when done well, I think it can be quite amazing.
Braun (2000) talks of how Buffy subverts traditional views of good and evil by having characters, both 'good' and 'bad' make choices that are ambiguous or contradictory to their past. An example of this is in the storyline between Buffy and Angel (Angelus). Angel was a former demonic vampire who had his human soul restored to his body by a curse. Upon meeting Buffy, he vowed to fight demons with her, and he soon became a romantic interest. After they slept together for the first time, his soul reverted back to the demonic one it once was, and Buffy was forced into a position of agression torwards someone she had once loved. Buffy, over the course of a season, comes to terms with the fact that "her perfect lover also embodied great hostility and rage targeted toward her" (Braun, 2000). During the season, the characters of Buffy and Angel come to terms with both the love and accompaning rage that is inside of both of them. This plot device can be seen as symptomatic of an increasingly modern world which embraces shades of grey.
References
Braum, B. (2000) The X-files and Buffy the Vampire Slayer: The ambiguity of evil in supernatural representations. Retrieved 18 October, 2005 from: http://www.findarticles.com/p/articles/mi_m0412/is_2_28/ai_64688900
Sunday, October 16, 2011
Week 12
I guess this is because for one part the creators can rely on the fact that they didn't need to hire actors, and originally didn't even need to write scripts, merely needing to supply the situation and film and go. This is an idea supported by Hills (2005) when describing original reality TV. But he does go on to mention that this is no longer the case and that they are now largely scripted and sometimes even have actors. Although I can offer no reference for as to why it is so popular to viewers, is because people like to watch other people and see their insecurites and flip outs in a way to make themselves feel better about themselves or relate to characters and take some kind of pride that a character that they believe is like them is on TV.
Reference
Hill, A. (2005) The reality genre. In A. Hill, Reality TV: Audiences and Popular Factual Television. Oxon: Routledge.
Trevor week 1
I don't believe that comic books are strictly Adult or a child genre. I think there are many examples of comics that are sctrictly adult comics, with violent and graphic portrails within them unsuitable for children. at the other end of the scale there are comics that themes of which only serve to feed the minds of children; and there are the ones in between. I can remember reading Tin Tin with my Father when I was a child, and he still has the books lying around at his house today, although I lost my use for them he didn't, so I guess in this sense they can be either adult, children' or both orientated. Farr(1991) Also discusses the notion, in regards to Tin Tin, that he is a chracter to be enjoyed by a vast age group from child to adult.